Auditions & Submissions
2022 - 2023 Season
American Stage Theatre Company is committed to an inclusive, anti-racist casting policy.
American Stage Theatre Company is committed to creating a healthy and inclusive space for artists of all cultures and backgrounds to share their full humanity, during this exciting but challenging time. American Stage Theatre Company chooses to build upon our legacy and create a new American Stage that enriches and embodies the rich diversity and cultural tapestry of America and truly reflects the American experience.
NOTE: If you have performed with American Stage within the past two seasons, you do not need to audition at the season auditions. Simply email us at auditions@americanstage.org with the shows for which you would like to be considered.
American Stage Theatre Company is seeking Equity and Non-Equity actors for the 2024-2025 Season. Please see specific casting breakdown, dates and instructions below.
If you have performed with American Stage within the past two seasons, you do not need to audition at the season auditions. Simply email us at auditions@americanstage.org with the shows for which you would like to be considered.
If you would like to be considered for work on our Mainstage, Park or Beyond productions, please send your resume to artistic@americanstage.org. We work with SDC, USA, AEA and non union.
American Stage Company is proudly committed to powerful stories, boldly told. We accept full-length scripts, year-round from literary agents, as well as from theatre professionals with whom we have an existing relationship.
As part of American Stage’s commitment to local artists, we will also accept a 10-page script sample from Florida-based playwrights, which must include a resume, a play synopsis, and a statement explaining why your play might be a good fit for American Stage.
We have a special interest in plays written by and for diverse voices & plays written by women playwrights. We strongly encourage familiarizing yourself with the kind of work we do by reading our mission and production history before submitting.
*Electronic submissions only.
Please send your materials to: artistic@americanstage.org
Equity Principal Auditions will be held on:
Non-Equity Auditions will be held on:
Location:
Address: 163 3rd Street N St. Petersburg, FL 33701
American Stage Theatre Company is located inside of the St. Petersburg College Downtown Center Building. There is street and metered parking around the building. You may also park in the paid lot on 2nd Ave N next to Hops 2.0 or at the Sundial Garage on 2nd St between 1st and 2nd Ave N ($1 for the first 4 hours). Please use the Third Street entrance into the SPC building and follow signs to the second floor. An American Stage team member will be there to help direct you.
AEA Members
To schedule an appointment, please go to: https://amstage.wufoo.com/forms/m12gpe5e0ed89c1/.
Only AEA members may make an appointment on May 21, 2024 and May 22, 2024. Equity actors without appointments will be seen throughout any audition days, as time permits. Non-equity actors may arrive at the top of either Equity audition day and put their name on a waitlist. They will be seen as time permits. We encourage non-equity actors to attend the non-equity call.
American Stage is accepting video submissions for Equity actors who are unable to attend the EPA in-person. To submit virtually, please go to: https://amstage.wufoo.com/forms/q14ew7hk1d1xn15/. Video submissions will be accepted through June 2, 2024.
Non-Equity Actors
To schedule an appointment, please go to: https://amstage.wufoo.com/forms/m12gpe5e0ed89c1/.
Actors without appointments will be seen throughout any audition day, as time permits.
American Stage is accepting video submissions for Non-Equity actors who are unable to attend the Non-Equity Audition in-person. To submit virtually, please go to: https://amstage.wufoo.com/forms/q14ew7hk1d1xn15/.
Contract:
Other:
Auditions may be viewed by:
Helen Murray, Producing Artistic Director
Jose Aviles, Director of Education
Randi J Norman, Director of Marketing & Communications
Alexandria Blaha, Company Manager
Preparation:
Please prepare either:
An accompanist will be provided. Please bring sheet music. Please bring a hard copy of your headshot and résumé stapled together.
Book by Terrence McNally
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Directed by Erica Sutherlin
Important Dates
Rehearsals Begin: March 14, 2023
Tech: April 3-9, 2023
Previews: April 14, 2023
Performance Run: April 14 - May 14, 2023
Other Important Information
NOTE: We are casting this production diversely, BIPOC actors will be considered for roles not traditionally cast.
American Stage seeks vaccinated Equity actors for a variety of roles in the final three productions for the 22-23 mainstage season titled, THIS IS AMERICA.
Non-equity performers are permitted to submit, after all Equity members are seen.
All first round auditions will be held in person, with video submissions being accepted for non local artists. Callbacks may be held in person at American Stage for local artists and virtually for non local artists.
All roles will be understudied.
WHAT TO PREPARE
Actors who would like to be considered for Ragtime should prepare a monologue and 16 bars of a song that highlights their vocal range and allows the actor to showcase their storytelling ability.
PERSONEL
The following individuals may be viewing auditions:
Helen Murray, Producing Artistic Director
Patrick Arthur Jackson, Associate Artistic Producer
Alexa Perez, Artistic Fellow
SUBMISSION INSTRUCTIONS
Equity members may schedule an appointment via Auditions Manager: https://auditionsmanager.com/registration.php?AU=yTbpwp806
Non-Equity actors should request a standby appointment by emailing auditions@americanstage.org
Video Submissions for Non-Local Equity and Non-Equity actors who are unable to attend in person auditions can submit video submission and headshot/resume via Auditions Manager: https://auditionsmanager.com/submission.php?AU=sMVA4Y805
Video Submissions will be accepted through November 20th, 2022 at 9PM EST. Video submissions are limited to actors who cannot physically attend in person auditions on Saturday, November 19 and Sunday, November 20 from 1PM-9PM EST.
SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D + health and pension approximately $650
American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.
PARTS DENOTED BY * WILL PLAY MULTIPLE ROLES AS NEEDEDENTIRE CAST DOUBLES AS ENSEMBLE AS NEEDED
COALHOUSE WALKER JR.- African-American he/him. 25-35 (range: Ab to G, with a sustained high F#). A proud and talented pianist, confident and stubborn. Sophisticated with a romantic demeanor and a gentle heart. Piano playing is helpful but not essential. PRINCIPAL
MOTHER-Anglo-American she/her/hers. 30+ (lyric soprano; range: low G to high Eb on staff) gentle, compassionate, optimistic PRINCIPAL
TATEH- Eastern European/Jewish Immigrant, he/him/his, 30+. slight accent, (strong tenor; range: Db to high F#) intelligent, passionate, creative. PRINCIPAL
SARAH- African-American, she/her/hers, Late teens-early 20's. Late teens-early 20's (lyric soprano; range: low G# to high F# on staff) PRINCIPAL
FATHER*- Anglo-American, he/him/his, 40+. (strong baritone; range: B to E on staff) cautious; resistant to change PRINCIPAL
YOUNGER BROTHER*- Anglo-American, he/him/his, 20-25+. (tenor/baritone with strong top range: B to high F#) passionate anarchist; intense and high-strung PRINCIPAL
LITTLE BOY- Anglo-American male. 8-12 (juvenile voice; range: E to Db on staff) precocious and curious. PRINCIPAL
LITTLE GIRL- Tateh's daughter: Eastern European/Jewish Immigrant she/her/hers. 8-12 (juvenile voice; range: E to Db on the staff) quiet and shy. PRINCIPAL
EMMA GOLDMAN*- Eastern European/Jewish Immigrant; she/her/hers/ 40+. slight accent. (alto, range: low G# to Db on staff) PRINCIPAL
HARRY HOUDINI*- Hungarian Immigrant, he/him/his, 30+.; Magician/bodybuilder. (tenor; range: mid. C to high G) Familiarity with magic/escape tricks a plus. PRINCIPAL
EVELYN NESBITT*- Anglo-American she/her/hers. Vaudevillian performer. 18-25 (belter/soprano, range: middle C to Db on staff) PRINCIPAL
GRANDFATHER*- Mother's father, Anglo-American he/him/his. 55+ (strong baritone) gruff & outspoken. PRINCIPAL
BOOKER T. WASHINGTON*- African-American he/him/his, distinguished. 45+ (strong baritone) PRINCIPAL
HENRY FORD*- Anglo-American he/him/his. 30-45 Wiry. Resemblance to actual historical figure a plus, (strong tenor/baritone) PRINCIPAL
J.P. MORGAN*- Anglo-American he/him/his, 45+. banking mogul. (strong baritone) Stout. Imposing. Resemblance to actual historical figure a plus, PRINCIPAL
WILLIE CONKLIN*- Anglo-American he/him/his; Tough, crass, working class. 30-45 (strong baritone D to F) PRINCIPAL
SARAH’S FRIEND*- African-American she/her/hers, 20-40. Must have a very strong gospel sound capable of “taking us to church.”
COALHOUSE’S FRIEND*- African-American he/him/his, 20-40. Strong singer and actor. Capable of playing several different roles.
ENSEMBLE #1*- Any Ethnicity. she/her/hers. 20-40. Strong singer and actor. Capable of playing several different roles.
ENSEMBLE #2*- Any Ethnicity. he/him/his. 20-40. Strong singer and actor. Capable of playing several different roles.
By Ayad Ahktar
Directed by Sharifa Yasmin
Important Dates
Rehearsals Begin: May 9, 2023
Tech: May 26-28, 2023
Previews: May 30-June 1, 2023
Performance Run: June 2-June 25, 2023
Other Important Information
American Stage operates under an SPT-7 contract and provides individual housing and travel for guest artists who do not reside in the Tampa Bay Area (50 mile radius). EMC points are available for those who qualify.
American Stage seeks vaccinated Equity actors for a variety of roles in the final three productions for the 22-23 mainstage season titled, THIS IS AMERICA.
Non-equity performers are permitted to submit, after all Equity members are seen.
All first round auditions will be held in person, with video submissions being accepted for non local artists. Callbacks may be held in person at American Stage for local artists and virtually for non local artists.
All roles will be understudied.
WHAT TO PREPARE
Actors who would like to be considered for Disgraced or La Gringa, should prepare two contrasting monologues.
PERSONEL
The following individuals may be viewing auditions:
Helen Murray, Producing Artistic Director
Patrick Arthur Jackson, Associate Artistic Producer
Alexa Perez, Artistic Fellow
SUBMISSION INSTRUCTIONS
Equity members may schedule an appointment via Auditions Manager: https://auditionsmanager.com/registration.php?AU=yTbpwp806
Non-Equity actors should request a standby appointment by emailing auditions@americanstage.org
Video Submissions for Non-Local Equity and Non-Equity actors who are unable to attend in person auditions can submit video submission and headshot/resume via Auditions Manager: https://auditionsmanager.com/submission.php?AU=sMVA4Y805
Video Submissions will be accepted through November 20th, 2022 at 9PM EST. Video submissions are limited to actors who cannot physically attend in person auditions on Saturday, November 19 and Sunday, November 20 from 1PM-9PM EST.
SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D + health and pension approximately $650
American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.
SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D + health and pension approximately $650
American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.
SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D + health and pension approximately $650
American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.
AMIR: 30’s, Pakistani-American, he/him/his. He is Emily’s husband and Abe’s uncle. Amir is a brilliant, ambitious, and successful lawyer. He is so sharply dressed and sophisticated it nearly masks his deep self-consciousness and insecurity. He is very “liberal” in his view of religion and a critic of Islam. He feels he is on the verge of a career breakthrough but is insecure about his standing at the firm. Role will be cast with a South Asian actor.
EMILY: 30’s, White, she/her/hers. Amir’s wife is warm, articulate, and compassionate, a complement and contrast with Amir. She is a talented painter on the cusp of significant success. She developed an interested in the art of Islam as a way to understand her husband’s culture and has worked hard to educate herself and broaden her personal and world views.
ABE: early 20s, Pakistani-American, she/her/hers. Amir’s nephew is “As American as American gets,” vibrant and endearing in his hoodie, skinny jeans, and high-tops. He is strong, quiet, and a thoughtful, passionate young man of conviction. He is smart and engaging with an awakening sense of social and personal justice.
ISAAC: 30’s, White, he/him/his. Isaac is a curator at the Whitney Museum, a man with immense power in the art world, which he knows but doesn’t often flaunt. As part of the intellectual elite in New York City he is quick with a quip and a sharp critical eye and tongue. He would be irritatingly snobbish if he weren’t also charming. He is not political by nature but he is a committed Jewish liberal.
JORY: mid to late-30s, African-American, she/her/hers. Jory, Isaac’s wife, is an ambitious and savvy lawyer, intelligent, commanding, forthright. She is confident and self-assured having wrestled her way to the top of the law firm where she and Amir work. She is not afraid to fight for what she wants and get her hands dirty if necessary.
Created by Richard Maltby, Jr.
Conceived by William Meade
Orchestrations by Steven Bishop & Jeff Lisenby
Directed by Helen R. Murray
Music Director: TBD
Choreographer: TBD
Important Dates:
Rehearsals begin: September 3, 2024
Previews: September 25 - September 26, 2024
Opening: September 27, 2024
Closing: October 20, 2024
From the opening chords of vintage country to rockabilly, rock 'n’ roll, searing ballads, and gentle songs of love and deep faith, RING OF FIRE gives the music the spotlight, as a core group of talented actor/musicians celebrate the songs that are the heart and soul of our shared experiences.
[Trenna] Female-presenting; all ethnicities; 20-40; vocalist who plays everything from a farmhouse mother to June Carter; plays acoustic guitar; proficiency with multiple instruments is a plus
[Jason] Male-presenting; all ethnicities; 40-60; plays acoustic guitar; proficiency with multiple instruments is a plus
[Dave] Male-presenting; all ethnicities; 20-40; plays electric guitar, banjo, and fiddle; proficiency with multiple instruments is a plus
[Eddie] Male-presenting; all ethnicities; 20-40; plays acoustic and electric guitar; proficiency with multiple instruments is a plus
[Mark] Male--presenting; all ethnicities; 20-40; plays bass (preferably double bass but electric bass can be used) and various percussion; proficiency with multiple instruments is a plus
Note:
If called back, actors may be asked to show their instrumentation skill.
NOTE: Local non union actors will also be considered for American Stage's School Tour of a new work entitled Familia de Flamingos and our Beyond the Stage Series of immersive work in partnership with organizations around St. Pete.
By Katori Hall
Directed by Keith Arthur Bolden
Important Dates
Rehearsals begin: October 22, 2024
Previews: November 6 - November 7, 2024
Opening: November 8, 2024
Closing: November 24, 2024
A gripping reimagination of events the night before the assassination of the civil rights leader Dr. Martin Luther King, Jr. On April 3, 1968, after delivering one of his most memorable speeches, an exhausted Dr. King retires to his room at the Lorraine Motel while a storm rages outside. When a mysterious stranger arrives with some surprising news, King is forced to confront his destiny and his legacy to his people.
[Dr. Martin Luther King, Jr.] Male-presenting; Black; 30-40; MLK at the time was 39. Nobel Peace Prize-winning Civil Rights Movement leader. Awe-inspiring, charming, and powerful with a brooding intelligence and almost hidden vulnerability. He can sometimes present as older than his true age. While being a brilliant orator, impassioned preacher, and a fearless leader, he is more than the hero in our history books. Brewing underneath is a human carrying all the vulnerability, fear, and weariness of an unquenchable lust for life.
[Camae] Female-presenting; Black; 20-30; A young maid at the Lorraine Motel in Memphis, Tennessee. She is charming, confident and MLK’s equal. And although deeply human and vulnerable, there is much more to her than is first revealed. She owns the power of her convictions and sensuality, with an “otherworldly” strength. Carries a secret.
NOTE: Local non union actors will also be considered for American Stage's School Tour of a new work entitled Familia de Flamingos and our Beyond the Stage Series of immersive work in partnership with organizations around St. Pete.
By Finegan Kruckemeyer
Directed by Helen R. Murray
Important Dates
Rehearsals begin: December 30, 2024
Previews: January 22 - January 23, 2025
Opening: January 24, 2025
Closing: February 9, 2025
Three young sisters are left in a forest by their woodcutter father and forced to find their own way in the world. From this fairytale beginning, three resolutions are made - one sister walks one way to find purpose, one the other to find adventure, and the third stays right where she is to create a home. Years later, having circumnavigated the globe and fought Vikings, crossed oceans, tamed wilds, and achieved greatness, the three sisters meet again, as women.
[Albienne] Female-presenting; all ethnicities; 20s; Hungry to taste every experience in the world. A cake lover and a warrior. Her passions are all-consuming, but this can lead her to lose sight of herself. Has a carefree nature but discovers she has real mettle when she is tested.
[Beatrix] Female-presenting; all ethnicities; 20s; Energetic, full of life, and at times tempestuous. Sometimes her sunny disposition can be clouded over in moments of despair. She is relentless when she sets her mind to something.
[Carmen] Female-presenting; all ethnicities; 20s; Sensitive, deeply thoughtful and carries the weight of the world on her shoulders. Feels great responsibility and compassion towards others and as a result often keeps her own thoughts and needs to herself.
[Father/Narrator] Male-presenting; all ethnicities; 30s-60s; A kind woodcutter who has his heart broken not once but twice; All remaining roles including The Lady in the Lighthouse, Sad City villagers, and more.
NOTE: Local non union actors will also be considered for American Stage's School Tour of a new work entitled Familia de Flamingos and our Beyond the Stage Series of immersive work in partnership with organizations around St. Pete.
The American Tribal Love-Rock Musical
Book and Lyric by Gerome Ragni and James Rado
Music by Galt MacDermot
Directed by TBD
Music Director: TBD
Choreographer: TBD
Important Dates
Rehearsals begin: March 4, 2025
Previews: March 26 - March 27, 2025
Opening: March 28, 2025
Closing: April 27, 2025
*This production occurs offsite and outdoors at Demens Landing Park.
**This production runs on a LORT contract.
***No Nudity Required.
The fiercely sensational rock musical follows a group of bohemian, counter-culture hippies that are bursting with jubilant spirit, a desire to fight the man, and spread peace and love.
[Claude] Male-presenting; 20s; Smart, attractive with a playful side; the tribe looks up to him. Despite being a free spirit, he struggles with following either his head or his heart.
[Berger] Male-presenting; 20s; A social activist recently expelled from high school. Claude’s best friend and the leader of the tribe. High energy, athletic, wild.
[Sheila] Female-presenting; 20s; A second semester NYU student and passionate protester. Close with Berger and Claude and aspires to spread love. The smartest of the tribe.
[Hud] Male-presenting; Black; 20s; Speaks his mind and hopes you can keep up with him. High energy, spiritual performer with a strong voice and presence.
[Woof] Male-presenting; 20s; A golden retriever in human form. High energy, versatile performer. Has great comedic timing. Adores Berge and Mick Jagger.
[Jeanie] Female-presenting; 20s; A follower, not a leader. Pregnant. Incredibly sweet and head over heels in love with Claude. Wise, passionate, creative. She has taken every drug imaginable and looks after the tribe.
[Dionne] Female-presenting; Black; 20s; Lots of fun and has great comedic timing. Strong voice.
[Crissy] Female-presenting; 20s; A flower child mourning “the one that got away” - The “baby” of the tribe.
[Tribe] Male-presenting and Female-presenting; all ethnicities; 20s-30s; solos and smaller roles will be cast from the Tribe.
NOTE: Local non union actors will also be considered for American Stage's School Tour of a new work entitled Familia de Flamingos and our Beyond the Stage Series of immersive work in partnership with organizations around St. Pete.
By James Ijames
Directed by TBD
Important Dates
Rehearsals begin: May 6, 2025
Previews: May 28 - May 29, 2025
Opening: May 30, 2025
Closing: June 22, 2025
Pulitzer Prize-winning playwright James Ijames reinvents Shakespeare’s masterpiece with his new drama, a delectable comic tragedy. Juicy is a queer, Southern college kid, already grappling with some serious questions of identity, when the ghost of his father shows up in their backyard, demanding that Juicy avenge his murder. It feels like a familiar story to Juicy, well-versed in Hamlet’s woes. What’s different is Juicy himself, a sensitive and self-aware young Black man trying to break the cycles of trauma and violence in service of his own liberation. From an uproarious family barbecue emerges a compelling examination of love and loss, pain and joy.
[Juicy] Male-presenting; Black; 20s; Juicy is thicc. He’s beautiful. He is lonely. He is smart. A kind of Hamlet.
[Tedra] Female-presenting; Black; 40s-50s; Juicy’s mother. She is a good mother. A kind of Gertrude.
[Rev] Male-presenting; Black; 40s-50s; Tedra’s husband. Her dead ex-husband’s brother. Pig farmer and pit master. Electric. A kind of Claudius. Same actor as Pap.
[Opal] Female-presenting; Black; 20s; One of Juicy’s only friends. She loves Ham and worries about him. A kind of Ophelia.
[Larry] Male-presenting; Black; 20s; A boy that is attracted to Juicy. A marine. Trying to heal from PTSD. Has a secret. Awkward. A kind of Laertes.
[Rabby] Female-presenting; Black; 40s-50s; Larry and Opal’s mother. Tedra’s friend. Semi-churchy but honestly she just wanna drink and praise the Lord. A kind of Polonius.
[Pap] Male-presenting; Black; 40s-50s; Ghost of Juicy’s father. Was in prison for killing someone cause their breath stank, til he got shanked on the way to dinner. A kind of Hamlet's Father. Same actor as Rev.
[Tio] Male-presenting; Black or Afro-Latinx; 20s-40s; Clever. Juicy’s cousin. Oldest friend. A kind of Horatio.
NOTE: Local non union actors will also be considered for American Stage's School Tour of a new work entitled Familia de Flamingos and our Beyond the Stage Series of immersive work in partnership with organizations around St. Pete.
About the Show
What will happen to Cinderella at the ball … game? That's the surprising climactic question in this contemporary Latin-American Cinderella musical, which delightfully turns the classic fairy tale on its head, telling the story from both Cinderella and the "stepsister's" perspective. Cinderella, a newcomer from Puerto Rico, comes to visit her "stepsister," Rosa, in the United States. The catch … Cinderella only speaks Spanish and Rosa only speaks English. Will these two girls be able to reach an understanding at the (basket) ball game?
Rehearsal: September 19- October 9th (ideal Reh Schedule will be M-F 12-5pm/But this may fluctuate depending on actor/artistic team schedule)
Tour Begins/Ends: October 10-December 6- 9 depending of bookings (excluding the entire Thanksgiving week) Typical touring day starting as early as 7AM and ending as late as 4PM.
Performances at American Stage: December 3 & 4
Performances at Tampa Theatre: December 5 & 6
Rate: $500/week
Creative Team
Producing Artistic Director: Helen Murray
Associate Artistic Producer: Patrick Arthur Jackson
Director and Director of Education: Jose Aviles
Music Director: Juan Rodriguez
Other Important Information
Actors should be available for the entire tour run, September 26th - December 4th, 2022. Touring performances will be Monday-Fridays between 7AM and 3PM. There will be two performances on stage at American Stage on December 3rd and 4th.Rate: $500/week
American Stage is seeking BIPOC local Non-Equity performers for the 22-23 American Stage Education School Tour CINDERELLA EATS RICE AND BEANS.
Audition Dates & Details
Friday August 19, 2022
6PM-9PM
Saturday August 20, 2022
10AM-1PM
American Stage
163 3rd Street N.
St. Petersburg, FL 33701
What to prepare: A 90 second monologue and 16 bars of a song that showcases your vocal ability
Actors who identify as Latine, Latinx, Hispanic, and/or Afro-Latinx, Black, African-American, are strongly encouraged to submit. In addition to cisgendered artists, non-binary and trans artists are encouraged to submit. Seeking actors who are strong movers, comfortable with singing and rapping.
Characters
Cinderella (also known as Cenicienta)
A sixth grader from Puerto Rico visiting the United States to learn English. Female identifying. Actors should be fluent or comfortable speaking Spanish.
Note from Director: This is a punk rock opera, so don’t hold back in your auditions. We want to see strong emotions - show us your rage, your fear, your joy, your grief, all of your passion!
Johnny - the guy who goes to the city; the Jesus of Suburbia
The self-proclaimed "Jesus of Suburbia." Bored of his do-nothing, go-nowhere existence, he takes off for the city to get a new lease on life. He wages an inner war between a budding love for Whatsername and growing dependency on St. Jimmy and drugs. Guitar skills are a plus. Vocal range B4/B2
Tunny - the guy who goes to the city and the Middle East
Johnny's friend who follows him to the city and eventually enlists in the army. He travels to the Middle East. A lost dreamer who is easily swayed, first by Johnny's ideas and then by patriotism and the American Dream. Vocal Range B4/D3
Will - the guy that stays home in suburbia
Johnny's friend. He ends up staying in Suburbia with his pregnant girlfriend Heather. The more he stays on the couch, the more he becomes slowly disconnected from the world and his own relationships. Guitar skills a plus. Vocal Range A4/C#3
St. Jimmy - a city badass. Johnny’s alter ego (androgynous/non-binary)
Johnny's alter ego. Known as the "city badass." An enigmatic and charismatic enabler who gets Johnny addicted to drugs and grows jealous of his relationship with Whatsername. Vocal Range B4/C3
Heather - a girl in suburbia. Will’s girlfriend
She discovers she is pregnant but has difficulty telling her boyfriend of the news. Once she settles down with him, she struggles to maintain their relationship with his despondency and eventually leaves him. Vocal Range E5/A3
Whatsername - a girl in the city
A rebel activist--fierce, strong, and capable--who falls for Johnny. She fights to have him embrace their authentic relationship rather than pursue his addiction.Vocal Range D#5/F#3
Extraordinary Girl - a girl in the Middle East
Haunting, folk noir voice. A girl in the Middle East who appears as a hallucination to injured Tunny. Attractive and mysterious, she later appears as his nurse and accompanies him home after the war. Vocal Range E5/A#3
Ensemble - 5-7 people
A collection of men, women, non-binary individuals to play a variety of characters.
American Stage Theatre Company is committed to an inclusive, anti-racist casting policy.
American Stage Theatre Company is committed to creating a healthy and inclusive space for artists of all cultures and backgrounds to share their full humanity, during this exciting but challenging time. American Stage Theatre Company chooses to build upon our legacy and create a new American Stage that enriches and embodies the rich diversity and cultural tapestry of America and truly reflects the American experience.
NOTE: If you have performed with American Stage within the past two seasons, you do not need to audition at the season auditions. Simply email us at auditions@americanstage.org with the shows for which you would like to be considered.
American Stage Theatre Company is seeking Equity and Non-Equity actors for the 2025 - 2026 Season
You can email your headshot and resume at any time to be considered for upcoming productions. Please be sure to note if you have specific interest in any shows or roles.
*Electronic submissions only.
Please send your materials to: auditions@americanstage.org
Equity Principal Auditions will be:
Non-Equity Auditions will be:
Contract:
Please include a copy of your headshot and resume, as well as your Union Status, and whether you are a local hire to the Tampa Bay Area.
Auditions may be viewed by:
Helen Murray, Producing Artistic Director
Anthony Gervais, Associate Artistic Director
Season Directors and Choreographers
Book by Terrence McNally
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Directed by Erica Sutherlin
Important Dates
Rehearsals Begin: March 14, 2023
Tech: April 3-9, 2023
Previews: April 14, 2023
Performance Run: April 14 - May 14, 2023
Other Important Information
NOTE: We are casting this production diversely, BIPOC actors will be considered for roles not traditionally cast.
American Stage seeks vaccinated Equity actors for a variety of roles in the final three productions for the 22-23 mainstage season titled, THIS IS AMERICA.
Non-equity performers are permitted to submit, after all Equity members are seen.
All first round auditions will be held in person, with video submissions being accepted for non local artists. Callbacks may be held in person at American Stage for local artists and virtually for non local artists.
All roles will be understudied.
WHAT TO PREPARE
Actors who would like to be considered for Ragtime should prepare a monologue and 16 bars of a song that highlights their vocal range and allows the actor to showcase their storytelling ability.
PERSONEL
The following individuals may be viewing auditions:
Helen Murray, Producing Artistic Director
Patrick Arthur Jackson, Associate Artistic Producer
Alexa Perez, Artistic Fellow
SUBMISSION INSTRUCTIONS
Equity members may schedule an appointment via Auditions Manager: https://auditionsmanager.com/registration.php?AU=yTbpwp806
Non-Equity actors should request a standby appointment by emailing auditions@americanstage.org
Video Submissions for Non-Local Equity and Non-Equity actors who are unable to attend in person auditions can submit video submission and headshot/resume via Auditions Manager: https://auditionsmanager.com/submission.php?AU=sMVA4Y805
Video Submissions will be accepted through November 20th, 2022 at 9PM EST. Video submissions are limited to actors who cannot physically attend in person auditions on Saturday, November 19 and Sunday, November 20 from 1PM-9PM EST.
SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D + health and pension approximately $650
American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.
PARTS DENOTED BY * WILL PLAY MULTIPLE ROLES AS NEEDEDENTIRE CAST DOUBLES AS ENSEMBLE AS NEEDED
COALHOUSE WALKER JR.- African-American he/him. 25-35 (range: Ab to G, with a sustained high F#). A proud and talented pianist, confident and stubborn. Sophisticated with a romantic demeanor and a gentle heart. Piano playing is helpful but not essential. PRINCIPAL
MOTHER-Anglo-American she/her/hers. 30+ (lyric soprano; range: low G to high Eb on staff) gentle, compassionate, optimistic PRINCIPAL
TATEH- Eastern European/Jewish Immigrant, he/him/his, 30+. slight accent, (strong tenor; range: Db to high F#) intelligent, passionate, creative. PRINCIPAL
SARAH- African-American, she/her/hers, Late teens-early 20's. Late teens-early 20's (lyric soprano; range: low G# to high F# on staff) PRINCIPAL
FATHER*- Anglo-American, he/him/his, 40+. (strong baritone; range: B to E on staff) cautious; resistant to change PRINCIPAL
YOUNGER BROTHER*- Anglo-American, he/him/his, 20-25+. (tenor/baritone with strong top range: B to high F#) passionate anarchist; intense and high-strung PRINCIPAL
LITTLE BOY- Anglo-American male. 8-12 (juvenile voice; range: E to Db on staff) precocious and curious. PRINCIPAL
LITTLE GIRL- Tateh's daughter: Eastern European/Jewish Immigrant she/her/hers. 8-12 (juvenile voice; range: E to Db on the staff) quiet and shy. PRINCIPAL
EMMA GOLDMAN*- Eastern European/Jewish Immigrant; she/her/hers/ 40+. slight accent. (alto, range: low G# to Db on staff) PRINCIPAL
HARRY HOUDINI*- Hungarian Immigrant, he/him/his, 30+.; Magician/bodybuilder. (tenor; range: mid. C to high G) Familiarity with magic/escape tricks a plus. PRINCIPAL
EVELYN NESBITT*- Anglo-American she/her/hers. Vaudevillian performer. 18-25 (belter/soprano, range: middle C to Db on staff) PRINCIPAL
GRANDFATHER*- Mother's father, Anglo-American he/him/his. 55+ (strong baritone) gruff & outspoken. PRINCIPAL
BOOKER T. WASHINGTON*- African-American he/him/his, distinguished. 45+ (strong baritone) PRINCIPAL
HENRY FORD*- Anglo-American he/him/his. 30-45 Wiry. Resemblance to actual historical figure a plus, (strong tenor/baritone) PRINCIPAL
J.P. MORGAN*- Anglo-American he/him/his, 45+. banking mogul. (strong baritone) Stout. Imposing. Resemblance to actual historical figure a plus, PRINCIPAL
WILLIE CONKLIN*- Anglo-American he/him/his; Tough, crass, working class. 30-45 (strong baritone D to F) PRINCIPAL
SARAH’S FRIEND*- African-American she/her/hers, 20-40. Must have a very strong gospel sound capable of “taking us to church.”
COALHOUSE’S FRIEND*- African-American he/him/his, 20-40. Strong singer and actor. Capable of playing several different roles.
ENSEMBLE #1*- Any Ethnicity. she/her/hers. 20-40. Strong singer and actor. Capable of playing several different roles.
ENSEMBLE #2*- Any Ethnicity. he/him/his. 20-40. Strong singer and actor. Capable of playing several different roles.
By Ayad Ahktar
Directed by Sharifa Yasmin
Important Dates
Rehearsals Begin: May 9, 2023
Tech: May 26-28, 2023
Previews: May 30-June 1, 2023
Performance Run: June 2-June 25, 2023
Other Important Information
American Stage operates under an SPT-7 contract and provides individual housing and travel for guest artists who do not reside in the Tampa Bay Area (50 mile radius). EMC points are available for those who qualify.
American Stage seeks vaccinated Equity actors for a variety of roles in the final three productions for the 22-23 mainstage season titled, THIS IS AMERICA.
Non-equity performers are permitted to submit, after all Equity members are seen.
All first round auditions will be held in person, with video submissions being accepted for non local artists. Callbacks may be held in person at American Stage for local artists and virtually for non local artists.
All roles will be understudied.
WHAT TO PREPARE
Actors who would like to be considered for Disgraced or La Gringa, should prepare two contrasting monologues.
PERSONEL
The following individuals may be viewing auditions:
Helen Murray, Producing Artistic Director
Patrick Arthur Jackson, Associate Artistic Producer
Alexa Perez, Artistic Fellow
SUBMISSION INSTRUCTIONS
Equity members may schedule an appointment via Auditions Manager: https://auditionsmanager.com/registration.php?AU=yTbpwp806
Non-Equity actors should request a standby appointment by emailing auditions@americanstage.org
Video Submissions for Non-Local Equity and Non-Equity actors who are unable to attend in person auditions can submit video submission and headshot/resume via Auditions Manager: https://auditionsmanager.com/submission.php?AU=sMVA4Y805
Video Submissions will be accepted through November 20th, 2022 at 9PM EST. Video submissions are limited to actors who cannot physically attend in person auditions on Saturday, November 19 and Sunday, November 20 from 1PM-9PM EST.
SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D + health and pension approximately $650
American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.
SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D + health and pension approximately $650
American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.
SALARY AND OTHER IMPORTANT INFORMATION
For Disgraced and La Gringa: SPT 7 + health and pension approximately $603
For Ragtime: LOA to LORT D + health and pension approximately $650
American Stage will provide travel to and from St. Petersburg, FL and housing arrangements. Company Artist Housing consists of a private studio apartment within walking distance to the theater, furnished with kitchen and private bath. Guest artists have access to a company car, which is shared with no more than six guest artists staying on property.
AMIR: 30’s, Pakistani-American, he/him/his. He is Emily’s husband and Abe’s uncle. Amir is a brilliant, ambitious, and successful lawyer. He is so sharply dressed and sophisticated it nearly masks his deep self-consciousness and insecurity. He is very “liberal” in his view of religion and a critic of Islam. He feels he is on the verge of a career breakthrough but is insecure about his standing at the firm. Role will be cast with a South Asian actor.
EMILY: 30’s, White, she/her/hers. Amir’s wife is warm, articulate, and compassionate, a complement and contrast with Amir. She is a talented painter on the cusp of significant success. She developed an interested in the art of Islam as a way to understand her husband’s culture and has worked hard to educate herself and broaden her personal and world views.
ABE: early 20s, Pakistani-American, she/her/hers. Amir’s nephew is “As American as American gets,” vibrant and endearing in his hoodie, skinny jeans, and high-tops. He is strong, quiet, and a thoughtful, passionate young man of conviction. He is smart and engaging with an awakening sense of social and personal justice.
ISAAC: 30’s, White, he/him/his. Isaac is a curator at the Whitney Museum, a man with immense power in the art world, which he knows but doesn’t often flaunt. As part of the intellectual elite in New York City he is quick with a quip and a sharp critical eye and tongue. He would be irritatingly snobbish if he weren’t also charming. He is not political by nature but he is a committed Jewish liberal.
JORY: mid to late-30s, African-American, she/her/hers. Jory, Isaac’s wife, is an ambitious and savvy lawyer, intelligent, commanding, forthright. She is confident and self-assured having wrestled her way to the top of the law firm where she and Amir work. She is not afraid to fight for what she wants and get her hands dirty if necessary.
About the Show
What will happen to Cinderella at the ball … game? That's the surprising climactic question in this contemporary Latin-American Cinderella musical, which delightfully turns the classic fairy tale on its head, telling the story from both Cinderella and the "stepsister's" perspective. Cinderella, a newcomer from Puerto Rico, comes to visit her "stepsister," Rosa, in the United States. The catch … Cinderella only speaks Spanish and Rosa only speaks English. Will these two girls be able to reach an understanding at the (basket) ball game?
Rehearsal: September 19- October 9th (ideal Reh Schedule will be M-F 12-5pm/But this may fluctuate depending on actor/artistic team schedule)
Tour Begins/Ends: October 10-December 6- 9 depending of bookings (excluding the entire Thanksgiving week) Typical touring day starting as early as 7AM and ending as late as 4PM.
Performances at American Stage: December 3 & 4
Performances at Tampa Theatre: December 5 & 6
Rate: $500/week
Creative Team
Producing Artistic Director: Helen Murray
Associate Artistic Producer: Patrick Arthur Jackson
Director and Director of Education: Jose Aviles
Music Director: Juan Rodriguez
Other Important Information
Actors should be available for the entire tour run, September 26th - December 4th, 2022. Touring performances will be Monday-Fridays between 7AM and 3PM. There will be two performances on stage at American Stage on December 3rd and 4th.Rate: $500/week
American Stage is seeking BIPOC local Non-Equity performers for the 22-23 American Stage Education School Tour CINDERELLA EATS RICE AND BEANS.
Audition Dates & Details
Friday August 19, 2022
6PM-9PM
Saturday August 20, 2022
10AM-1PM
American Stage
163 3rd Street N.
St. Petersburg, FL 33701
What to prepare: A 90 second monologue and 16 bars of a song that showcases your vocal ability
Actors who identify as Latine, Latinx, Hispanic, and/or Afro-Latinx, Black, African-American, are strongly encouraged to submit. In addition to cisgendered artists, non-binary and trans artists are encouraged to submit. Seeking actors who are strong movers, comfortable with singing and rapping.
Characters
Cinderella (also known as Cenicienta)
A sixth grader from Puerto Rico visiting the United States to learn English. Female identifying. Actors should be fluent or comfortable speaking Spanish.
Note from Director: This is a punk rock opera, so don’t hold back in your auditions. We want to see strong emotions - show us your rage, your fear, your joy, your grief, all of your passion!
Johnny - the guy who goes to the city; the Jesus of Suburbia
The self-proclaimed "Jesus of Suburbia." Bored of his do-nothing, go-nowhere existence, he takes off for the city to get a new lease on life. He wages an inner war between a budding love for Whatsername and growing dependency on St. Jimmy and drugs. Guitar skills are a plus. Vocal range B4/B2
Tunny - the guy who goes to the city and the Middle East
Johnny's friend who follows him to the city and eventually enlists in the army. He travels to the Middle East. A lost dreamer who is easily swayed, first by Johnny's ideas and then by patriotism and the American Dream. Vocal Range B4/D3
Will - the guy that stays home in suburbia
Johnny's friend. He ends up staying in Suburbia with his pregnant girlfriend Heather. The more he stays on the couch, the more he becomes slowly disconnected from the world and his own relationships. Guitar skills a plus. Vocal Range A4/C#3
St. Jimmy - a city badass. Johnny’s alter ego (androgynous/non-binary)
Johnny's alter ego. Known as the "city badass." An enigmatic and charismatic enabler who gets Johnny addicted to drugs and grows jealous of his relationship with Whatsername. Vocal Range B4/C3
Heather - a girl in suburbia. Will’s girlfriend
She discovers she is pregnant but has difficulty telling her boyfriend of the news. Once she settles down with him, she struggles to maintain their relationship with his despondency and eventually leaves him. Vocal Range E5/A3
Whatsername - a girl in the city
A rebel activist--fierce, strong, and capable--who falls for Johnny. She fights to have him embrace their authentic relationship rather than pursue his addiction.Vocal Range D#5/F#3
Extraordinary Girl - a girl in the Middle East
Haunting, folk noir voice. A girl in the Middle East who appears as a hallucination to injured Tunny. Attractive and mysterious, she later appears as his nurse and accompanies him home after the war. Vocal Range E5/A#3
Ensemble - 5-7 people
A collection of men, women, non-binary individuals to play a variety of characters.
Yes. We work with both Equity and Non-Equity professional actors.
American Stage Theatre Company operates under an SPT-7 contract, pending approval. Approximately $638 weekly minimum for equity actors and $550 weekly minimum for non-union actors. American Stage Theatre Company’s “Musical in the Park” production operates under a LORT contract, pending LOA. Approximately $776 weekly minimum for equity actors and $550 weekly minimum for non-union actors.
See Information listed above. All audition dates and locations will be provided there.
It depends on a lot of factors. Our goal is to cast shows at least three months in advance of first rehearsal, though we may not always achieve it. After a general season audition, we’ll bring people in at various times for individual show callbacks. After a show-specific audition or callback, we may cast the piece right away, or may still be looking to see other actors, depending on what we still need. Casting is a puzzle. We need to balance our AEA/Non-AEA ratio, locals vs. out-of-town actors, and 100 other factors to get just the right group of people to help us tell powerful stories. We thank you for your patience.
We encourage all actors to join us for our season auditions in person, or submit virtually. For questions, please send an email to auditions@americanstage.org.
Absolutely! We encourage all local actors to audition.
It can vary by show.
Yes. American Stage has a limited number of housing spots available to out-of-town artists.
