Auditions
2022 - 2023 Season
American Stage will endeavor to be a vital and needed arts leader, with an authentic respect for its artists, staff and community. We are an arts organization, with a call to serve the community through powerful, bold and engaging artistry.
We are committed to creating a healthy and inclusive space for multicultural artists to share their full humanity, during this exciting but challenging time. We choose to build upon our legacy and create a new American Stage that enriches and embodies the rich diversity and cultural tapestry of America and truly reflects the American experience.
American Stage seeks vaccinated Equity actors for a variety of roles for productions for the 2023-2024 mainstage season .
Non-equity performers are permitted to audition, after all Equity members are seen.
All first round auditions will be held in person, with video submissions being accepted for artists who cannot attend. Callbacks may be held in person at American Stage for local artists and virtually for non local artists.
Season Auditions will occur: Sunday, May 7th 12-8PM (break from 4-5PM) and Monday, May 8th 10-6PM (break from 1-2PM)
Address: 163 3rd Street N St. Petersburg, FL 33701
American Stage is located inside of the St. Petersburg College Downtown Center Building. There is street and metered parking around the building. You may also park in the paid lot on 2nd Ave N next to Hops 2.0 or at the Sundial Garage on 2nd St between 1st and 2nd Ave N ($1 for the first 4 hours). Please use the Third Street entrance into the SPC building and follow signs to the second floor. An American Stage team member will be there to help direct you.
Equity members may schedule an appointment via Auditions Manager: https://auditionsmanager.com/registration.php?AU=eWUrcr921
American Stage is accepting video submissions for Equity members who are unable to attend auditions in person: https://auditionsmanager.com/submission.php?AU=mGnrbI940
Non Equity members may email to be placed on a waiting list for in person auditions by emailing auditions@americanstage.org
American Stage operates under an SPT-7 contract (approximately $608 for AEA members, pending approval and approximately $500/week for non union actors) and provides housing and travel for guest artists who do not reside in the Tampa Bay Area (50 mile radius).
The following individuals may be viewing auditions:
Helen Murray, Producing Artistic Director
Patrick Arthur Jackson, Associate Artistic Producer
Alexa Perez, Artistic Fellow
Marygrace McManus, Arts Administration Fellow
Alexandria Blaha, Company Manager
By Paula Vogel
Directed by Helen R. Murray
Important Dates
Rehearsals Begin: September 12, 2023
Tech: Sept 27-Oct1st
Previews: October 4-5
Opens: October 6, 2023
Closes: October 29, 2023
Inspired by the true events surrounding the controversial 1923 Broadway debut of Sholem Asch’s The God of Vengeance—a play seen by some as a seminal work of Jewish culture, and by others as an act of traitorous libel—Indecent charts the history of an incendiary drama and the path of the artists who risked their careers and lives to perform it.
NOTE: The Troupe plays everyone. Actors who play instruments are encouraged to audition.
LEMML - 35 to 45, he/him/his - A country tailor who becomes leader of the Yiddish Art Theatre of Lodz troupe Naive in his youth, over time as Asch’s company manager, he experiences the good and the terrible that the world has to offer, but he is never consumed by cynicism. Holds fast to his belief in the transformative power of performance, even in the Nazi-controlled ghetto where his troupe performs.
THE INGENUE (CHANA) - 22 to 33, she/her/hers - Passionate and adventurous and smart.
THE INGENUE (AVRAM) - 23 to 35, he/him/his - Rebellious, ambitious, and passionate
THE MIDDLE (HALINA) - 30 to 40, she/her/hers - Sophisticated, unconcerned with politics, and frank
THE MIDDLE (MENDEL) - 40 to 49, he/him/his - Traditional and conservative, outraged by “The God of Vengeance”
THE ELDER (VERA) - 50 - 65, she/her/hers - Boisterous, disappointed, and apologetic.
THE ELDER (OTTO) - 50 to 65, he/him/his - Cultured, educated, traditional, and cynical.
By David Yee
Directed by Patrick Arthur Jackson
Important Dates
First Rehearsal: November 7, 2023
Tech: Nov. 15-19, 2023
Previews: November 21-22
Opens: November 24
Closes: December 17
From the African Copperbelt to the backwoods of Muskoka, acts of faith tells a story about the power of belief, the disillusionment of youth and the eternal struggle between good and evil. The story follows Faith, a young woman who gets mistaken for a prophet. When a revered religious leader attempts to take advantage of her plight, she begins using her ‘gift’ to right wrongs and punish the wicked. Far from home, Faith will come up against the ultimate test of her convictions in a final confrontation between sin and sainthood, morality and godliness.
FAITH - Late 20’s to Mid 30’s, she/he/hers - A woman who is well-versed in the bible and understands how to use it against the evil in man’s hearts. She is logical and courageous with the confidence of any priest before his congregation.
By Lloyd Suh
Directed by Gregory Keng Strasser
Important Dates
First Rehearsal: January 9, 2024
Previews: January 31-Feb 1
Tech: Jan 24-28, 2024
Opens: February 2, 2024
Closes: February 25, 2024
Inspired by the true story of the first Chinese woman to step foot in America, Lloyd Suh’s critically-acclaimed play, THE CHINESE LADY, is a tale of dark poetic whimsy and a unique portrait of the United States as seen through the eyes of a young Chinese girl. In 1834, 16-year-old Afong Moy sailed into New York Harbor and was immediately put on display for a paying public who were mesmerized by her exotic ways and horrified by her tiny bound feet. As audiences follow Moy’s travels through America as a living exhibit for decades, THE CHINESE LADY shares her impressions of a young country struggling with how to define itself.
NOTE: For this production we are seeking Asian-American performers
AFONG MOY - from 14 years old to advance age, she/her/hers. - She is newly arrived in America as a cultural exhibition. She is proud, but optimistically naive of what it means to be the first Chinese woman in America. *Asian-American performers with physical or mobile disabilities are encouraged to audition for this role.*
ATUNG - older than Afong Moy, he/him/his. - He is Afong’s translator and caretaker. He is respectful of his responsibilities/duties but he yearns for things he cannot have.
Book by Linda Woolverton
Music by Alan Menken
Lyrics by Howard Ashman & Tim Rice
Directed by Kenny Moten
Important Dates
First Rehearsal: March 12, 2024
Tech: March 26-31, 2024
Preview: April 3-4, 2024
Opening Night: April 5, 2024
Closes: May 5, 2024
*This production occurs offsite/outdoors in Demens Landing Park.
Step into the enchanted world of Broadway's classic, Disney's Beauty and the Beast, an international sensation that has been produced in 37 countries worldwide.
The classic story tells of Belle, a young woman in a provincial town, and the Beast, who is really a young prince trapped under the spell of an enchantress. If the Beast can learn to love and be loved, the curse will end and he will be transformed into his former self. But time is running out. If the Beast does not learn his lesson soon, he and his household will be doomed for all eternity.
Based on the Academy Award-winning animated feature, the stage version includes all of the wonderful songs written by Alan Menken and the late Howard Ashman, along with new songs by Mr. Menken and Tim Rice. The original Broadway production ran for over thirteen years and was nominated for nine Tony Awards, including Best Musical.
NOTE: We are casting this production diversely.
BELLE - 20-25, any ethnicity, she/her. A smart, plucky young woman from a provincial town.
THE BEAST - 30-40, any ethnicity, he/him. Master of the castle who used to be a prince.
MAURICE - 55-65, any ethnicity, he/him. An inventor and Belle’s father.
GASTON - 30-40, any ethnicity, he/him. A pompous and dim-witted “ladies man”.
LEFOU/CHORUS - 25-40, any ethnicity, he/him. A dim-witted lackey to Gaston.
COGSWORTH/CHORUS - 40-55, any ethnicity, he/him. An English major-domo of the castle who is becoming a mantle clock.
LUMIERE/CHORUS - 35-45, any ethnicity, he/him. A French mâitre d’ who is becoming a candelabra.
MRS. POTTS/CHORUS - 45-55, any ethnicity, she/her. A cook who is becoming a teapot.
CHIP/CHORUS - 7-10, he/him. any ethnicity, Mrs. Pott’s son, who is becoming a teacup. Role will be double cast.
BABETTE/CHORUS - 25-35, any ethnicity, she/her. A maid who is becoming a feather duster.
MADAME DE LA GRANDE BOUCHE/CHORUS - 40-55, any ethnicity, she/her. An opera singer who is becoming a wardrobe.
MONSIEUR D’ARQUE/CHORUS - 35-55, any ethnicity, he/him. Proprietor of the lunatic asylum.
CHORUS/ENSEMBLE - 20-65, any ethnicity, any gender. Actors will play a variety parts like: The Narrator, Villagers, Castle Staff, Old Beggar Woman, Wolves and Young Prince.
Book by John Cameron Mitchell
Music and Lyrics by Steven Trask
Directed by Kirsten Kelly
Important Dates
First Rehearsal: April 23, 2024
Tech: May 1-5, 2024
Previews: May 15-16, 2024
Opens: May 17, 2024
Closes: June 16, 2024
*June 12- 16 will be performed at Jannus Live
“Internationally ignored song stylist” Hedwig Schmidt is an East German rock ‘n’ roll goddess who also happens to be the victim of a botched sex-change operation. This outrageous and unexpectedly hilarious story is dazzlingly performed by Hedwig in the form of a rock gig/stand-up comedy routine backed by Yitzhak and the hard-rock band “The Angry Inch.” With a pulsing score and electrifying performances, Hedwig is a funny, powerful, and inspiring story for anyone who has felt life only gave them an inch when they deserved a mile.
HEDWIG/TOMMY GNOSIS - 18+, any ethnicity, any/any. The lead singer and musical genius of the punk rock band “The Angry Inch”, on a revenge tour across the nation. Equal parts rock goddess, stand-up comedian, and vulnerable human being. Must be able to transform in and out of many roles throughout the show while remaining grounded in a strong base character.
YITZHAK - 18+, any ethnicity, any/any. Hedwig’s husband and roadie/back-up singer. Is bound by the constraints of traditional masculinity but longs to explore a more feminine side. Has a killer voice but must always be hidden behind Hedwig.
By Doug Robinson
Directed by Helen R. Murray
First Rehearsal: June 18, 2024
Tech: July 3-7, 2024
Previews: July 10-11, 2024
Opens: July 12, 2024
Closes: August 4, 2024
How much would you sacrifice for love? The Figs is a fairytale-like play about what-ifs, desires, and obsession. Follow a mad king obsessed with figs, a star-crossed princess infatuated with an inn-keeper, a young hero whose only friend is a swan, and a wiley storyteller. The Figs pushes for audiences to remember the wonder held inside a good story.
NOTE: Cast is ensemble based and global majority driven, where anyone can play anything. Actors who play instruments are encouraged to audition.
ACTOR 1 Storyteller
ACTOR 2 King/Ensemble
ACTOR 3 Lorna/Ensemble
ACTOR 4 Princess/Sandra
ACTOR 5 Jin/Ensemble
ACTOR 6 Jod/Ensemble
ACTOR 7 June/Ensemble
This series, presented in partnership with American Stage and Creative Pinellas, will take place on the first Monday of each month at Creative Pinellas, located at 12211 Walsingham Road in Largo, FL. “First Mondays” will feature stage readings of short plays, followed by a discussion around themes within the play facilitated by Director of Community Engagement, Erica Sutherlin and Associate Artistic Producer, Patrick Arthur Jackson.
Rate: $125
*Interested in directing a reading? Email your resume to artistic@americanstage.org
Submission Instructions
Actors should submit their headshot/resume via the Auditions Manager button below and specify which characters/plays they would like to be considered for.
Video link of work sample is not required, but suggested.
American Stage is seeking local non-union submissions for roles for FIRST MONDAYS play reading series.
May - if all that You take from this is courage, then i’ve no regrets by Nicholas Pilapil
After a brush with danger, a strong-willed matriarch reminisces with her grandson on all the things their histories have taught them. This play explores Filipino American identity, intergenerational disconnect, and weighing your wars to make sure you're not fighting for nothing.
LYDIA - 60’s/70’s - Strong willed and feisty. Not a stereotypical frail old lady kind of grandmother. Fluent in English despite her Filipino accent. Female identifying. Actor must be comfortable speaking/reading Tagalog.
ALEX - 20’s/30 - Lydia’s grandson. Giselle’s son. Whether or not it’s true, he’s one of those people that says “my grandma is my best friend” Male identifying. Actor must be comfortable speaking/reading Tagalog.
GISELLE - 50’s - Alex’s mom. Lydia’s daughter. Female identifying. Also plays News Reporter and Stage Directions.June - The Disney Princess of Dot Ave by Kevin Cirone A costumed princess at the end of her shift at a children's birthday party is interrupted by the birthday girl.
June - The Disney Princess of Dot Ave by Kevin Cirone
A costumed princess at the end of her shift at a children's birthday party is interrupted by the birthday girl.
MAYA - 20s-30s. A Disney princess persona that masks a down-to-earth, Dorchester broad. Female identifying.
HALEY - 8. The birthday girl, an inquisitive, introspective sort. Role will be played by an adult actor. Non binary.
July - Validation by Daphne Macy
Gracie has been absent from work for an entire week, since returning from a work trip. Her boss, Sheryl, thinks she knows why. Can a c-suite exec who didn’t grow up in the era of #MeToo and an introverted Millennial have an open, unapologetic conversation about appropriate workplace behavior?
SHERYL - 47 - A c-suite executive who has been surrounded by men her whole professional life and has worked hard to rise to the top. Confident, intelligent, authoritative, seemingly strict. Female identifying.
GRACIE - 29 - An early career manager working in Sheryl's office. Introverted, apologetic, non-confrontational. Female identifying.
MARTY - 37 - A manager at Sheryl's office. Overly confident, argumentative, the ultimate mansplainer. We only hear his voice and do not see him on stage.
August - Destiny is a Careless Waiter by Julie Zaffarano
Sean invites Emily to dinner to propose marriage. He brings his grandmother’s engagement ring to the restaurant and instructs the server to place the ring in Emily’s dessert. Justin invites Bria to the same restaurant at the same time, planning to break up with her. When the engagement ring intended for Emily ends up in Bria’s dessert, the chaos begins.
BRIA - Female identifying, 25-35. Any ethnicity.
EMILY - Female identifying, 25-35. Any ethnicity.
SEAN - Male identifying, 25-35. Any ethnicity.
JUSTIN - Male identifying, 25-35. Any ethnicity.
Yes. We work with both Equity and Non-Equity professional actors.
American Stage operates under the SPT Tier 7 contract on our Mainstage and under an LOA Agreement at American Stage in the Park.
Our mainstage season auditions are held in June each year, with musical auditions (for American Stage in the Park and any mainstage musicals) held in December. We may hold supplemental auditions & callbacks throughout the year as needed. Additionally, American Stage attends the Florida Professional Theatre Association (FPTA) and Tampa Bay Unified annual season auditions. We have no current plans to hold auditions in NYC.
It depends on a lot of factors. Our goal is to cast shows at least three months in advance of first rehearsal, though we may not always achieve it. After a general season audition, we’ll bring people in at various times for individual show callbacks. After a show-specific audition or callback, we may cast the piece right away, or may still be looking to see other actors, depending on what we still need. Casting is a puzzle. We need to balance our AEA/Non-AEA ratio, locals vs. out-of-town actors, and 100 other factors to get just the right group of people to help us tell powerful stories. Once final casting decisions have been made, we’ll put a post up on this page.
The answer will most often be no, since a drop-in audition requires the availability of multiple people and scheduling of rooms, but you can always ask! Send an email to auditions@americanstage.org. DO plan to at least stop by the theatre and take a look at our space.
More information is available by clicking here.
American Stage makes a purposeful effort to hire local actors and artists, in order to support our community and its overall artistic presence. As a professional theatre, however, we do rehearse during the day, and only rarely are we able to work around another schedule.
Typically, for the first two weeks of any given show, we rehearse during the day (10am-6pm). After that, we’ll normally transition into afternoon & evening rehearsals (2pm-10pm), followed by a full week of tech, where hours can vary between just evenings to full 10-out-of-12 days. During opening week, there will be rehearsals in the afternoon prior to evening showtimes, and there will always be at least one brush-up rehearsal the Wednesday after opening.
Yes. American Stage has a limited number of housing spots available to out-of-town artists.
